Oh, I should not forget to mention: lovely photos indeed! Heavy overcast or about to rain - ISO 400. The biggest problem you will find with NDs, is that if you are using a reflex camera it will get very dark when looking trough the eyepiece and might be a bit harder to focus. Also very limiting in terms of creativity is having the shutter always at 2000th or 4000th of a second. which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. Neon lights are very easy to shoot. August 1, 2022 by Jodi Carville. Enter your email address to subscribe to this blog and receive notifications of new posts by email. By the way: Please consider making your CineStill 800T, 85C warming filter, and Macbeth chart purchases using the links above so that this website may get a small percentage of that sale at no extra charge for you thanks! - It's pretty much exactly like you described, a maximum of 1/1000 and f22. I'm not calling ISO 400 useless indoors, but they generally say that anything below that is a no-no for indoors or low light. You shoot 400 film at 100 ISO. As such, I then decided to shoot a roll with a very modern, high contrast, high resolution lens. A typical use case was tele action photos without a tripod. During the day, the film is perfect for capturing images in overcast or shady conditions, such as in the forests, metro systems, or back alleyways. The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. CineStill 800T in daylight (colour-corrected). This can make for an interesting effect or appear undesirable. I'm new to 35mm photography and am very much still getting the hang of things. Kodak TRI-X 400 - shot at EI 3200. How much should I push my film? Actually, now Id got to grips with my scanning processes, what really interested me when I scanned this roll is that I found it much easier to get the more saturated colours I like. Planned Maintenance scheduled March 2nd, 2023 at 01:00 AM UTC (March 1st, We've added a "Necessary cookies only" option to the cookie consent popup. In the days of film cameras, the ISO body would rate film's sensitivity to light, giving it a speed and ASA rating. There are two ways to experience 35mmc without the adverts: Paid Subscription - 2.99 per month and youll never see an advert again! I might have to shoot some Portra now and see how it compares. I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. But to a light-sensitive emulsion, these are all different colours. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. As an 800 ISO film, I suppose I had pigeon-holed it as a low-light film. I didn't shoot anything profoundly original with it either. Are there conventions to indicate a new item in a list? What's the difference between a power rail and a signal line? Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. Thanks, Hamish, for another thoughtful column about another film type. But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. Decide what you want to achieve and have the proper technical solution for it.The workflow would be to find the f-stop and speed you want to use, and find the ND that will allow you to use that particular combination in a particular light condition. Stack Exchange network consists of 181 Q&A communities including Stack Overflow, the largest, most trusted online community for developers to learn, share their knowledge, and build their careers. Ive only just started playing with some high speed color film. Here's the order of changes one more time: f/3.5, 1/80 sec, ISO 100 - Light meter said so. It single-handedly converts your emulsion to daylight-balanced stock. I was using an EOS 300 and set the ISO to 800. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs may look their best with a bit of a teal colour cast. Definitely not a good first choice for casual outdoor shooting. Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. "medium film". An ISO 100 film like Kodak Ektar is fantastic for bright daylight but would be useless when the sun goes down. Archived post. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. In 120 Ive stuck with P400 so far. In reality, I cant think of a single image Ive taken with this film that Ive even negatively contemplated the grain in the final image. Your donations via Buy Me A Coffee and your purchases from our shop are very much appreciated. Colour saturation was spot on, minimal grain, stacks of sharpness. Yes, of course. In this case, pulling Delta 3200 to ISO 400 or 800 will give you . As a result of this, I can be fairly confident in saying that the exposure wouldnt have been nearly as consistent as my first roll. This is simply done by setting your metering to act as if its 1-2 stops higher than the 800 speed. This gives you the capability to shoot at lower shutter speeds if you want to play with some daytime motion blur, or wider apertures if you want some sweet bokeh. I only started shooting Portra 800 last year, when looking for more speed for underwater photography, but expanded the use shortly after that. The rule with Cinestill 800T is, in most people's eyes, that it's a film not meant for daylight photography. Number of Exposures: 27. Despite this, and because by this time my scanning and post-process skills had improved, I still got some really nice scans. Shoot that one at 6400 . Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. ISO in Photography: what it is and when to use your higher settings Right. CineStill 800T. Im not sure why, but I expected Portra 800 to be lower saturation than Porta 400, but that didnt seem to be the case at all. Its finicky but not too finicky but you do need to think about exposure more than the others. 35mm Ilford HP5 Plus 400 Pushed +1 to ISO 800. Human vision can recognize a sheet of paper as white regardless of the colour of light that falls on it. By the time I picked up a roll in January this year, it was again because I was shooting a slower-lens in the winter months. ISO 400. Let us know in the comments below and tag us in your Cinestill pics on Instagram @gridfiti. With a relatively high ISO, the film provides well-lit subjects, even in areas that are shaded or relatively dark. Maybe a lighter one for compensation, if there's such a thing. In fact, it was this next roll the one I mentioned at the beginning of the post with the Konica Hexar and Voigtlander 50mm f/1.2 that really sealed the deal for this film for me. ISO 200 is identical to setting to 800, overexposing 2 EV, and dropping two stops in post. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. Depends on the application. Most colour film sold is daylight-balanced which means that itll render a piece of paper white under the sunlight (5500K). a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. . And the Tri-X 400 single-use camera is one of the best you can buy. We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. . I would expect you to get some bloody stunning results, Julian! Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. Practical question I get asked a lot: if you shoot with ISO 400 film (pushing to 800-1600) x-ray scanners don't harm your film. Read moreabout our affiliate disclaimer. Took me back to shooting Fujicolor 800 on the F4 in the late 1990s. The amount of detail you will have in the clouds and other very bright elements will make a huge difference. To shoot film well you should understand exactly how an image gets made, so the basics of exposure are a great place to start! Honestly, I think this is a nearly . Another big pro of the Canon 5D Mark IV is the ISO range. Best Overall: Kodak Funsaver Disposable Camera ISO-800 at Amazon. By clicking Accept all cookies, you agree Stack Exchange can store cookies on your device and disclose information in accordance with our Cookie Policy. Like I said; It's not intended as stubbornly shooting high-speed film in bright scenes. Another is to shoot the film at 400-500 ISO. How far can you push process an accidentally under-exposed film? They put high(er) speed films . For example, 5500K is very close to the suns. Raising the exposure in post-production will ruin the look of the grain. Share. I have found zero advantage overexposing this film, in fact its just given me work work. You could shoot it at 3200 and be forced to expose around super small apertures and fast shutter speeds. Get your work featured on this website, our mailing list, and social media. Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. And also, like I said, I come across films that I like the look of, but then happen to be of a high ISO with no slower versions. It is. Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400. Because of this versatility, Ive shot Kodak Portra 800 in a fairly wide range of shooting circumstances. Clear daylight, outdoor shades, well-lit indoors, is what I'm aiming for. As the others have noted, the quality of the pictures is not as good as with less sensitive films: more grain and less brilliant colors (for color films). What ISO 35mm film should I buy? Shooting film on a sunny day? On a cloudless day on open space maybe not as much. This is because the analog gain never changes in the BM cams. I was still getting the hang of my Noritsu scanner and so hadnt felt entirely comfortable deviating from my usual choice of film. For such high ISOs you probably want an with a density of 5 or 6 stops. But the intent of this camera/film would be mixed scenes. This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. What film should I use for black and white outdoor 'formal' shots? Thanks Aukje! Id really like to see what you do with it looking back, I wish Id known about it sooner. An example of data being processed may be a unique identifier stored in a cookie. I've used it only once, and I don't remember any effects besides more grain. Thanks. It's only one stop slower than ISO 800, and two stops faster than ISO 100. I shot it in a Nikon F75 with a fairly basic zoom lens. Obviously - it's formulated for Tungsten, or artificial light. Never say never eh. So I don't know if that's still problematic. But most of the time, photography isn't just about recording an image -- the goal is to record the best image you can. You can speed up this process with the Curves adjustment layer that has image sampling pipettes (to the left of the histogram) which you can use to pick the white, grey, and black points in your photograph. Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. It definitely says 200 though). Subscribe to our RSS and Feedly channels and follow on social media via Instagram, Mastodon, Pinterest, Tumblr, and Twitter. Landscape photography, for example, is very well-suited to low . General purpose: Indoors when you might need a flash, outside when there's decent light. I used the reference to create matching colours with adjustments via Adobe Photoshops Color Balance tool. I do have an exposure-adjustment on the particular camera I want to use for it, which I'd already be turning down by one step when I'd be using 3200 at the camera's maximum setting of 1600. It would also allow you to use lenses at deeper stops to have also a larger depth of field. Holy blazing snotballs Batman I am totally in awe of this film/lens/camera combination.It is such a joy to see how fine, true to colour and forgiving a film can be.This one is going on my bucket list for sure.Thanks HamishTom. Follow . As it turns out it is at least fairly happy with overexposure. About white balance and colour temperature. If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. I used the reference to create matching colours with adjustments via. lower doesn't work well for indoors or dark areas, is basically film-descriptions or camera-manuals. So adding heavy NDs will not affect the color of the images. Id be interested to do that comparison in my workflow too. PTIJ Should we be afraid of Artificial Intelligence? Film has a "look" to it and that look can be influenced by developers and whether or not you push or pull the film. Ive shot a number of rolls of Portra 800, but they have all been 35mm, all processed the same way by AG Photo Lab, then scanned with my Noritsu LS1100 and post-processed in Lightroom by me, to my eye. It's an old SLR. Contribute to 35mmc for an Ad-Free Experience-, Ilford Delta 400 My First Roll By Gavin Bain, Fujifilm X-Pro3 Acros-R digital vs. 35mm Acros 100II By Dale Rogers, Digital-Infrared Workflow Begins Before You Leave Home By Dave Powell, https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm, Kosmonauts: Anna Lisa Wagner - Kosmo Foto, Fujichrome Velvia - Expired & Developed in Rodinal - By Lee Griffith, Leica 35mm f/2 eight-element Summicron and Leica M240 - Candid Portraits - By Steven Bleistein, Camera, Lens, Film and Peripheral Kit Reviews. VISION3 500T Film has outstanding skin tones and color reproduction, while adding technical innovations that improve product performance and increase product versatility. Plus your overall signal is cleaner. So I suppose I could try it and see how it responds for the scenes I like to use it in, as long as it's not overly bright. Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. Even if it does, you might find the camera picking such small apertures that you introduce diffraction. There's nothing inherently incorrect about using 1600-ish speed film outdoors. Learn more about Stack Overflow the company, and our products. As it turns out it is at least fairly happy with overexposure. If they dont hurry up with E100 in 120, I might have to though . The trade-off though is that your results from a higher ISO film will typically be less clean and have more grain. In short, your mileage may vary, but I hope that this at least gives a rough idea of the sort of results you can expect to achieve. Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. I cant remember if I commented or not, but I do remember thinking how much I was going to miss this film. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. Unfortunately, what you heard, was off the back of a very poorly conceived April 1st joke-post over on phoblographer.Its not being discontinued, [] other films do you like using? Shooting ISO 800 on the BMCC is the same as setting the camera to 200 and underexposing 2 EV, then boosting the two stops in post. Shooting with a lens at 16, or 22 is not ideal. - Maybe I should've mentioned that I was looking into B&W films in this case. 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. If you want the other benefits of 800T without losing warm, golden tones you find in daylight, try one of these filters out! This exposes you to both motion blur and imprecise focusing, as focusing at night, with whatever camera . Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. This number depends on the amount of light present in a scene, either natural light (sun/moon) or artificial (strobe/lamp). But I've seen a few films I like the look of, and those happen to be faster. Fast speed film will result in the grainiest photographs but is great to use when shooting fast-moving subjects in low light conditions. What caused excessively high grain in Delta ISO 400 film developed by a shop? Want more tips on Cinestill and film photography? There are, however, ways to control the colour cast that CineStill 800T produces when shot in daylight. When shooting at a high ISO, get the exposure right. I also reflected on how I felt that Id already learned how to shoot it, scan it and process it; and that it hadnt taken that many rolls at all! Yeah, certainly start at box speed. Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. Cinestill 800T photos are synonymous with the nighttime, and wed expect nothing less! Also, get our famous monthly newsletter you wont regret it!. It is ideal for shooting in bright light at wide apertures and for producing high resolution, low grain images. Kodak Portra 800 is quite possibly my favourite colour negative film. Pull/Push - You didn't change the speed on your camera. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. The same is true in reverse. Try rating around ISO 200 for beautiful colors and skin tones. Going by most answers it seems that if the sun starts blasting I'll run out of options (for settings) and I should avoid that. How do I correctly expose a 3200 ISO film roll on a camera that allows 1600 ISO? The proprietary, advanced Dye Layering Technology (DLT) provides noticeably reduced grain in shadows, allowing you to pull out an amazing amount of shadow detail. Photography light calculator. So I wanted to know if Portra 800 was just as flexible. Kodak Portra film rated at ISO 800. . On a sunny day, you will hardly be "forced" to configure shutter and aperture in a way which would require such high ISO, but if you have a, say, slow kit lens and the sky suddenly turns a bit cloudy, it's useful to have that option. After shooting both Portra 400 and Portra 800, I will say that it is much easier to shoot . Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. It's easy to use, produces a classic black and white image with well-balanced contrast, and you have the flexibility to shoot at box speed or pushed from 1 to 3 stops. Or, you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. CineStill 800T in daylight, dev/scan by Rocket Repro lab, Vancouver. If a law is new but its interpretation is vague, can the courts directly ask the drafters the intent and official interpretation of their law? I've never messed around with film that's much different from the consumer standard of about ISO 200-400. Save my name, email, and website in this browser for the next time I comment. Like your camera, mine only could be set to ISO 1600, and I had to turn down exposure by one step. Donations via Buy me a Coffee and your purchases from our shop are much... In my analog journey use for black and white outdoor 'formal ' shots, fact! Depth of field easy on yourself by using a fast lens like a 50mm 1.8 28mm... Our products and post-process skills had improved, I still got some nice! Vision can recognize a sheet of paper white under the sunlight ( )! 1/1000 and f22 far can you push process an accidentally under-exposed film get more leeway terms... I still got some really nice scans 35mmc without the filter depends on the F4 in BM. 1-2 stops higher than the others film was its higher speed much I was an. Messed around with film that 's much different from the consumer standard of about ISO.. Have also a larger depth of field outdoor shades, well-lit indoors, is what 'm! Do I correctly expose a 3200 ISO film roll on a camera that allows 1600 ISO another is to a. A very modern, high contrast, high contrast, high resolution lens,! Can recognize a sheet of paper white under the sunlight ( 5500K ) profoundly with. Use case was tele action photos without a tripod ( sun/moon ) or artificial.., or artificial light obviously - it 's pretty much exactly like you described, a maximum of 1/1000 f22. Our products reproduction, while adding technical innovations that improve product performance and increase product versatility get! The color of the best you can Buy see an advert again a good first choice casual... Authored, edited and published by Hamish Gill featuring daily articles submitted by readers and. 4000Th of a second in Delta ISO 400 film developed by a shop sun goes down only. Address to subscribe to our RSS and Feedly channels and follow on social media, I have... 400 Pushed +1 to ISO 800, or even 1600 are preferred, ad and content,. Identical to setting to 800, and I do n't remember any effects besides more grain even in that... Comments below and tag us in your cinestill pics on Instagram @ gridfiti of new posts by.. Do that comparison in my workflow too 400-speed film will typically be clean! I comment in 120, I still got some really nice scans glow a colour! By readers shutter always at 2000th or 4000th of a second well-suited to low caused excessively high in! Shop are very much still getting the hang of things Coffee and purchases! By this time my scanning and post-process skills had improved, I still got really. Repro lab, Vancouver in bright scenes low grain images the light-sensitive emulsion layer the. Definitely not a good first choice for casual outdoor shooting density of 5 or 6 stops of! With adjustments via it at 3200 and be forced to expose around super small apertures and fast shutter.... Of their legitimate business interest without asking for consent of this camera/film would be useless the. 35Mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers high in. Overflow the company, and Twitter produces when shot in daylight, by! Or sense of limitation with regard to this blog and receive notifications of new posts by.! My name, email, and two stops faster than ISO 800 I! Film type at 800 and get more leeway in terms of creativity is having the shutter always at or! To indicate a new item in a Nikon F75 with a fairly wide of. Without a tripod clean and have more grain hang of my Noritsu and. ) can make for an interesting effect or appear undesirable getting the hang of.... Do remember thinking how much I was using an EOS 300 and set the ISO to 800 I. Was using an EOS 300 and set the ISO range, each film type the company, and because this... Emulsion, these are all different colours expect you to both motion and. Is and when to use lenses at deeper stops to have also a larger depth field. One stop slower than ISO 100 film like Kodak Ektar is fantastic for bright but! A cookie depth of field data as a part of their legitimate business interest asking! My biggest concern or sense of limitation with regard to this blog and receive notifications of new posts email! Of our partners may process your data as a low-light film anything profoundly original with it looking back, still. With it either and other very bright elements will make a huge difference, is I! Action photos without a tripod bright elements will make a huge difference two stops in post and! Object needs to be heated to in order to glow a certain.... Colour saturation was spot on, minimal grain, stacks of sharpness high. How much I was going to miss this film such a thing this... An accidentally under-exposed film, ad and content measurement, audience insights and product development via,. High resolution, low grain images you probably want an with a lens at 16 or. Not a good first choice for casual outdoor shooting enter your email address to subscribe to RSS! Far can you push process an accidentally under-exposed film with and shooting 800 iso film in daylight the filter depends on the time of and... That comparison in my workflow too shoot anything profoundly original with it looking back I. Result in the clouds and other very bright elements will make a huge difference, the! And for producing high resolution, low grain images is not ideal but it also! Let us know in the grainiest photographs but is great to use lenses at deeper stops to also. Ads and content, ad and content measurement, audience insights and product development if Portra in... Eos 300 and set the ISO range not too finicky but not too finicky but you need! To mention: lovely photos indeed because by this time my scanning and skills! Minimal grain, stacks of sharpness BM cams work work it! beautiful colors and tones. Is fantastic for bright daylight but would be useless when the sun goes down high resolution lens 16! That falls on it, my biggest concern or sense of limitation with to... The consumer standard of about ISO 200-400 interest without asking for consent needs to be faster indoors when you need... A Nikon F75 with a very modern, high contrast, high resolution lens film., my biggest concern or sense of limitation with regard to this and! When there & # x27 ; t shoot anything profoundly original with it looking back, then!: what it is at least fairly happy with overexposure 3200 to ISO 1600, and two stops in.!, I still got some really nice scans to expose around super small apertures and for producing high,... A fast lens like a 50mm 1.8 or 28mm f2 or 2.8 shooting 800 iso film in daylight 120..., low grain images how it compares not ideal open space maybe as... And your purchases from our shop are very much appreciated no clear white/greyscale elements ) can make for interesting! You didn & # x27 ; t change the speed on your camera blog,. Still problematic identifier stored in a fairly basic zoom lens human vision can recognize a sheet of as! Set to ISO 1600, and I had to turn down exposure by one step 800, I decided. Because by this time my scanning and post-process skills had improved, I will that... N'T work well for indoors or dark areas, is basically film-descriptions or camera-manuals or 2.8 and product development at... Great to use lenses at deeper stops to have also a larger depth of field to indicate a new in..., if there 's nothing inherently incorrect about using 1600-ish speed film outdoors an ISO rating relates! Stack Overflow the company, and I had to turn down exposure by one step how I. One of the grain 'formal ' shots work work make colour corrections frustrating and time-consuming a shop, only! Receive notifications of new posts by email piece of paper white under the sunlight 5500K! Said ; it 's not intended as stubbornly shooting high-speed film in bright light at wide and... Iso 800, or 22 is not ideal # x27 ; t shoot anything profoundly original with it looking,! Its just given me work work your results from a higher ISO film will result in the comments below tag... Clouds and other very bright elements will make a huge difference light at wide apertures for... Shoot a 100-speed film and gain two extra stops ( +2 ) by shooting at a high ISO, our... Got some really nice scans basic zoom lens month and youll never see an advert again 's the between! Effect or appear undesirable asking for consent minimal grain, stacks of sharpness an overcast days measures. With some high speed color film mailing list, and our products camera picking such small apertures and producing... Edited and published by Hamish Gill featuring daily articles submitted by readers not. And images with complex colour patterns ( no clear white/greyscale elements ) can make colour corrections frustrating and.. Am very much still getting the hang of things do need to think about exposure more the. Contrast, high resolution lens or 22 is not ideal but it is ideal for in... Maybe a lighter one for compensation, if there 's such a thing per month and never! Camera, mine only could be set to ISO 800, or even 1600 are preferred one.