Their tumultuous relationship goes from annoyance over his smashing jammy bread onto the coffee table to feelings of fear after he stuffs the family pet down the garbage disposal. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. Plus, she also touches on a potentially big deleted scene that would've seen her cross paths with Krylar (Bill Murray) and teases possible beef with Janet van Dyne (Michelle Pfeiffer). Nature refers to how they were born, while nurture refers to how they were raised. Ramsay regularly cuts to a scene where Eva is driving her car past flashing police lights toward the scene of some tragedy. It's been 10 years since its world premiere at Cannes, and we need to talk about what made it such a haunting meditation on motherhood. Franklin himself lives in a state of demented decency, deceiving himself that his family are living acceptable lives. The past and present intertwine as Eva recalls Kevins formative years from childhood to adolescence, hoping for clues on what went wrong. Kevin and Eva look similar, and in many scenes, Kevin and Eva wear similar clothes. Jake Martin, visit our special Oscars season blog, Movie Minister. This model of motherhood so deeply rooted as it is in the biological doesnt leave much room for aberration, such that any rejection by the child becomes an indictment of the mothers entire existence. For full Oscars coverage and commentary by its reviewer, Fr. I felt like I kind of joked with Jeff Loveness on this, but I was like, Did you just watch 300 and write my character? Because it was a lot of like those single line, Get to the tower!, and just kind of like silly one liners and things that felt reminiscent of a lot of those just straight up warrior movies. Swinton is excellent as Eva, the reluctant mother tormented by her psychopathic son, and director Lynne Ramsay handles the disjointed time structure well, but that's about all I can commend about it. As she leaves, a troupe of tiny ballerinas in tutus run past her. Alienated from friends and community, all she has left is her son. And it works - Eva's confrontation was brutally dishonest, but after his reaction she's barely containing her seething rage and the truth of it is all over her face. The most cynical, nihilistic, misanthropic films ever made. But her expression is one of strained indifference. When asked about the film adaptation in an interview with The Guardian, Shriver said her biggest concern was if they'd be able to "capture the quality of the slightly unreliable narrator and the ambiguity over who is to blame. Swinton said as much in an interview, Its about her fears and the horror of what she knows about herselfusing him as a kind of projection of her own self-loathing. March 1, 2023, 6:00 a.m. Sometimes Zuzu's petals are all you have to hold onto. Don't get in arguments with people here, or start long discussions. Following the release of Ant-Man and the Wasp: Quantumania, we caught up with actress Katy O'Brian to talk about her MCU debut as Jentorra, deleted scenes with Bill Murray, and a whole lot more! She frames Eva's discomfort against overjoyed mothers showing off their baby bumps in a pre-natal yoga class. While Eva and Franklin argue over the accident, Kevin taunts his mother by peeling a litchi, with a smug look on his face. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. What if she knew while being pregnant that she is about to give birth to a monster? The bed, the gown, and the walls bleed into each other in their cold whiteness, externalising her inner state of mind. Eva Khatchadourian (Tilda Swinton), a former travel writer, gives up her life of adventure when she becomes pregnant. for disturbing violence and behavior, some sexuality and language, Berlinale 2023 Highlights, Part Two: Reality, Manodrome, The Adults, Inside, Golda, Angela Bassett, Jamie Lee Curtis, Brendan Fraser, Cate Blanchett, Colin Farrell and Brendan Gleeson Feted at SBIFF 2023, Revisiting Martin Scorsese's Alice Doesn't Live Here Anymore, Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines. Terms Of Service | Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. Besides their physical likeness, Eva and Kevin also share a certain coldness, which plays into Eva's self-hatred. That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. She is the wrong person in the wrong life with the wrong child. The source material for "We Need to Talk About Kevin" was purposely crafted to leave readers wondering who was responsible for the massacre. Indeed, one of. Her emotional state doesnt change even when Kevin is born. Kevin is seen at three ages. Fast forward to fifteen year old Kevin, and we can see that this habit has become his worldview. Moving back and forth in time, the narrative revolves around a picture-perfect American family, but as the story progresses, we see cracks in the familial structure. Her body can't absorb more punishment. Kevin knows that Celia is his mothers favorite offspring, and he goes to great lengths to make his mother feel uncomfortable. Also, stripes are a striking feature that connects Kevins clothing sense from childhood to adolescence. She obviously feels complicit and takes on the role of communal scapegoat as a way to expiate her own guilt as well as to grieve the loss of her family. Little Kevin cries relentlessly, and Eva often uses cruel methods to shut him up. His final act of brutality a school massacre in addition to murdering his father and sister destroys any semblance of normalcy for Eva. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. Between the ages of 6 and 8 years old, played by Jasper Newell, he is a clever little monster who glares at Eva hurtfully, soils his pants deliberately and drives her into such a fury that she breaks his arm. The light outside disappears. The red paint of vandals stains her car and the front of her house. But he hates her the most due to her pretense and dishonesty, it seems. Not that she has a ton of options she struggles to find work and be accepted by those around her. ROHAN: Since Jentorra and most of her freedom fighters make it out alive, have you heard anything about coming back for more Quantum Realm adventures down the line? From the beginning, Eva is detached from motherhood. Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. So what about Franklin? Kevin is a defiant baby who screams incessantly but never around Franklin. Kevin poops in his pants, and thinking this act to be deliberate, Eva throws him to the ground, breaking his arm. There are several red flags in the movie that indicates Kevins volatile dispositions, but an accurate diagnosis is not possible. While Eva is shown throughout the film to be indifferent toward her son, Kevin's actions are fueled by his desire to spite her. He's aware of her feelings toward him, and throughout the film, points them out. Catherine George managed the costume department impeccably well, with a slight touch of retro. We Need to Talk About Kevin 2011 | Maturity rating: 15 | 1h 52m | Independent Films When her 15-year-old son's cruel streak erupts into violence, his mother wonders how much blame she deserves for his actions. For removal of copyrighted images, trademarks, or other issues, Contact Us. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. The flaws of this largely overwrought story belong not so much to Ramsay as filmmaker as to Shriver's source novel. Also read:Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. Of course, that mental illness is presumed by viewers. ROHAN: Was there anything major cut that you remember shooting? Kevin's antics swell into violence during his teenage years, further driving a wedge between his parents and mutilating his little sister Celia (Ashley Gerasimovich) along the way. But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. 112 minutes See movies like "The innocents" (1961, Jack Clayton) (pay attention to the title) and "The omen" (1976, Richard Donner). I watched this film several years ago and decided today I'd watch it again as I really enjoyed it the first time round! Not here. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community wont rally around you and more often than not Mr. Potter carries the day. Kevin grows up, and the family moves to an affluent neighborhood in their very own castle. BBC Films So we must find our Grace in the minuscule, and it is in these brief moments of consolation, these shafts of light under the door, that Kevin provides the deft sucker punch to the, by now, standard narrative benchmarks of despair, emptiness and futility which permeate contemporary film. Rather, Ramsay's film is an extended treatment of the optics of grief and guilt. So, I think it'd be really, really cool to see if they came up with something else. Because children are normally associated with innocence, creepy children are a tried concept in horror films. So, I think TV being as fast paced as it is, and as kind of chaotic as it can be, it doesn't always set you up for being able to walk into a film where you've had plenty of time to look into everything and prepare. Mimicking the cyclical nature of trauma, the shot repeats in the climax, where Eva discovers the slain bodies of her husband and daughter. KATY: Yeah, I mean, this obviously had the difference between TV and movie. to revoke its approval of the two main drugs used for medication abortion in the United States. Kevin's bedroom is actually the biggest red flag in the film, and the fact that neither Eva nor Franklin noticed that Kevin's bedroom clearly displays the signs of mental illness until he was fifteen years old proves beyond a shadow of a doubt that Franklin had never looked in his bedroom, wasn't interested in his interests or hobbies, and didn't want to know what he did in his spare time. The real monster is expecting nothing less than unconditional love. Prosecutors downgrade charges in Alec Baldwin shooting case, Die Hard star Bruce Willis has frontotemporal dementia, condition worsens, As We Need to Talk about Kevin turns 10, a look at what made it such a haunting meditation on motherhood. Maybe everything else is intended to be a flashback, and the timeline begins when she finds out what Kevin did at his high school. Kevin has numerous reasons to hate his mother, Eva. Kevin does things to Eva in this movie that are so cruel that an evil demon seems to be regarding her from his eyes. I think Jentorra felt a little betrayed by her, and there was no real reconciliation with them at the end. Site Map | Swinton gives an outstanding performance, somehow managing to repeatedly convey implacability and vulnerability in the same moment. See production, box office & company info. What is lupus, an autoimmune disease diagnosed in Selena Gomez causing her weight gain? Powered by WordPress.com VIP. KATY: It was really different, obviously, than the comic book version. If you are having trouble tying loose ends, let us assist you in the process. ROHAN: Jentorra does have a comics counterpart, did you draw on those stories to inform your backstory or did you work with Peyton to create anew backstory for the film? edition that "We Need to Talk About Kevin" asks an explicit question, "Yet I hope that this question is no more resolved in the book than crude oppositions like 'nature vs. nurture' are ever reconciled in real life.". We see Kevin as a troubled kid who may need greater care. So to sum up, Eva systematically deprived Kevin of maternal love, then trained him to accept disgust and fear in its place. Like Jentorra kind of was the reason that her society collapsed in a way, in the comic books. Eva and Franklin are a happily married couple till Eva gives birth to Kevin. The same 7-year-old also says, "I don't give a rat's ass." Alcohol, Drugs & Smoking Mild 35 of 50 found this mild Adults are sometimes shown casually drinking wine. In front of his mother, Kevin is often a difficult, menacing and unresponsive boy. And as serial killers are often tagged as psychopaths, we assume that the menacing nature of Kevin is dormant in him at birth. Franklin, on the other hand, does not give him a path to honest interactions. Ambivalent toward motherhood, Eva struggles to care about her increasingly cruel son, Kevin (Ezra Miller). A flashback, from long before Kevin was born, shows Eva at La Tomatina, celebrating with the crowd. Don't comment just to troll/provoke. This review of the film was originally published on December 22, 2011. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. So, what did that exchange mean for the Khatchadourians? Home | Kevin chooses to conceal the incident from Franklin. The most horrendous thing for her to stomach is not that his misanthropy and violence is really exotic and foreign; the thing that is really horrendous is that she recognises it only too well, because it comes from her. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, We Need to Talk About Kevin is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewers mind. Starring: Tilda Swinton,John C. Reilly,Ezra Miller Watch all you want. Is her husband as zoned out as he seems or is that only her perception? The second is Kevin's bedroom. According to medical practitioners, psychopaths are born so, while sociopathy is a result of conditioning in childhood. It must be something like this to have a nervous breakdown. Lionel Shriver's source novel is a quirky, disturbing take on the high school killer story. There are two really great examples of this: the first is the bow. Though Ramsay does away with Eva as a first-person narrator in the film, she still retains Eva's point-of-view throughout. Fr. There have been a lot of discussions nature vs. nurture, but I've been thinking she was not ok during pregnancy, usually postpartum depression starts after birth. His eyes dont give away any sense of remorse or guilt. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. Because Kevin is infallible to Franklin, he's also incapable of needing help, and as a result Franklin seems to have no respect to any sort of danger to his son, even giving a disturbed young man a lethal weapon just for fun on his fifteenth birthday - something that could even be considered an act in direct defiance of the reality of his son's deteriorating mental state, or even a dare. Footsteps approach the tent and a figure walks past. Try refreshing this page.If the problem persists, contact our support contact our support But it's also pretty surface level. The film loops in time, proceeding mostly chronologically, with some dips forward and backward. Eva often looks like she's in a state of shock. Privacy Policy. It's why vandals paint Evas house in red, and neighbours take out their anger on her. It's a cyclical pattern, making it impossible to hold just one person accountable for everything. Franklin does not and cannot understand Kevin, and completely resists any opportunity to do so. The kind of clothes one chooses is also indicative of ones social status. The white curtains create an ambiance of premonition, and as the camera tracks forward, we see Franklin and Celia lying dead in the middle of the back garden, blood-drenched arrows stuck to their bodies like leeches. What is the streaming release date of We Need to Talk About Kevin (2011) in Canada? Eva's elation is reflected in the room's warm yellows and flowers on the bedside table. Starting with Eva - she is intentionally painting herself in the worst possible light, which ironically covers up the actual extent of her emotional abuse, since she is flagellating herself only for the worst moments of her parenthood - the lowlights - and not looking at the whole picture. She isn't even really at the center of it; that position is occupied by her son, Kevin, who is an instinctive sadist with a gift for knowing exactly how to wound her, reject her, deceive her and make her soul bleed. But by the time he is a seven year-old, he starts to act in ways that seem in excess of whatever defects in mother love he may be getting. There was also a really short interaction that I had with Bill Murray, where we released him from holding, because it kind of looks like he died in the movie now, pretty early on. Theres a possibility that maybe before all this happened that there was that naivete to Jentorra, but yeah, I don't know that she was re-inspired by Cassies energy, I guess, as much as like, Hey, this is the real world and you need to kind of catch up to where we are.. it's difficult to accept why Eva keeps visiting her son in jail, at one point even asking why he did it. Read on for our full interview with Katy O'Brianand please remember to SUBSCRIBE to my channel for exclusive content! Best Little Sites is not liable for inaccuracies, errors, or omissions found herein. It doesn't gel with what has come before, where Eva seems to accept her son's innate cruelty, and is looking for a way to escape. Before the film opens, the character referred to in the title of Lynne Ramsay's We Need to Talk About Kevin, at the age of 15, has massacred a number of his fellow schoolmates. When he breaks his arm? Starring Tilda Swinton, John C. Reilly Or maybe I'm somehow getting it mixed up with another film! Kevin relentlessly cries in the custody of Eva, but Franklin seems to know how to stop him. The colour red is a recurring motif in the film. She sits in a blank daze in the hospital room. Being a child somehow means they're inherently innocent. As he grows up, we see him in a blue t-shirt, and consecutively, in a bland white one. The Ending Of We Need To Talk About Kevin Explained. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. There's the Good Mother, like Diane Freeling who travels to another dimension to save her daughter in Poltergeist. Will, get up. All logos and images used on this website are registered trademarks of their respective companies. With Tilda Swinton, John C. Reilly, Ezra Miller, Jasper Newell. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. Eva is attempting to play the part of mommy as defined by popular culture; the cooing, gooey, all-encompassing ubiquitousness to her child. Matters worsen when she becomes pregnant with a daughter. For those of us in the northern hemisphere, we have officially entered the dead of winter that time after Christmas and New Years when, Earlier this year my home parish welcomed a new associate pastor. Her public perception is unlikely to change, but Eva appears firm in her choice to stick around for Kevin's sake. "At the end of the day, I have no idea, and that pure, serene, ignorance has become, itself, a funny kind of solace," she writes in a letter to her deceased husband. Kevin's killings, meanwhile, are the absent, invisible center of Ramsay's film. As a baby and toddler, he is merely colicky, irritating and would try the patience of a saint. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. We're supposed to understand Kevin through Eva's flashbacks, which are indeed confusing, but not chronologically, where the difference lies solely in Tilda Swinton's hairstyle. It'd be so much fun. And of course from there, we learn he perpetrates a mass killing at a school. A young MAN and WOMAN are asleep in a tent. It was definitely a challenge to play the straight character to these guys, but it was also kind of like, okay, this is my role. Read More: Best Movies About Mental Illness. Kevin is a story of hope for a new millennium, an It's a Wonderful Life in the age of school shootings and planes crashing into buildings -- a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. I have the feeling that this film, by entering Eva's mind, sees only what has been battering her down for 16 years. He seems to recognize that he has some advantage over her. Franklin didn't do that - he wasn't even there. Only with her because his father was at work whole day and saw his son for like an hour a day. If this were an act of self-penance it might make sense, but there's no real sense Eva is doing it out of guilt either. About | But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. It was a really short moment, and then yeah, I would have loved to have had some interaction with Janet, but that wasn't even in there. American release: January 27, 2012. Eva Khatchadourian, a former travelogue writer, lives in a rundown shack in an American suburb and goes to meet her son. He can't understand her, but don't you suppose he understands her dislike? A lawsuit could force the F.D.A. Like Lady Macbeth, she tries to scrub the guilt off her hands. Ramsay simulates these associative memories, jumping back and forth between the past and the present. Index | So, seeing Kathryn, to me, her character Cassie was just someone who didn't understand the reality of the situation. Psychology Today describes the "nature vs. nurture" debate as questioning how both elements impact a person's characteristics. It's hard not to see some of Eva's frustration at her changed lifethey leave the city and she is left with most of the child careas manifesting in a kind of resentment of Kevin. Years later, the birth of her daughter Celia, on the other hand, feels more festive. We see her birthing of him as rather fraught and his incessant crying drives her nearly mad. Reddit and its partners use cookies and similar technologies to provide you with a better experience. The sci-fi adventure opens in theaters on Feb. 17, 2023. Copyright | All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. When Eva gets pregnant for the second time, Kevin feels that he has become estranged from the family and grows jealous. The non-linear approach makes the somewhat inevitable events more powerful and though Miller is effective as Kevin, younger actor Newell actually impressed me even more. Trademark | He is pursuing a Licentiate in Sacred Theology at Heythrop College in London. Watch Indie Spirit Stars Suggest Indie Gems You Must Watch Right Now. In a sonic sleight-of-hand, the joyful cheers alchemise into the sorrowful cries of the families and friends of Kevin's victims. When Eva dips her whole face in a basin of water, her face turns into Kevin's. 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